Since the Canon 1Dc was launched with its high bitrate (520Mbps) MJPEG 422 8bit codec, self proclaimed experts have been complaining that it’s old technology, inefficient and Canon really should have used XAVC.
Is it really as bad as they say, or is there more to the story?
The main complaints are:
- inefficient compression (large files)
- poor playback performance (old, not optimized video compression).
The short story
The short story is that it’s a good way
to store high quality video files, it was the best available to Canon at the time (in a DSLR), but yes, a dedicated video encoding chip that offered intra frame XAVC would have been even better. Canon’s relatively cheap XC-10 UHD camera uses the new XAVC codec for example (305Mbps). The XC-10 camera has a Digic DV5 chip that makes it possible.UPDATE: If the 1Dx mkII had access to a DV5 chip like the XC-10 and the C300 mkII, its file sizes would land between 325 Mbps (XC-10 bitrate at 4096x2160) or 410 Mbps (what the C300 mkII uses). These are good examples of modern intra frame compression. The benefit would be better compression and no need to convert files for editing.
The long story
Now, the long story is, as expected, much more nuanced. Let’s look at the two main complaints.Inefficient compression.
When you record 4k files at 500Mbps, the gigabytes of your memory cards get eaten up like you wouldn’t believe. Every 15 seconds you save a GB worth of data. So that’s bad, right?
Well… compared to what?
Had you saved your compressed video directly to ProRes 422, a codec often hailed as a golden standard and a good compromise between file size, quality and great playback performance—your files would have been even bigger. OK, so the compression is better than ProRes then? Well, from a storage point of view—yes. It shouldn’t be that surprising that the compression is good. MJEPG stands for Motion JPEG and we have all used .jpg to compress our photos and images for many, many years. And of course, jpeg is not only a consumer compression format. It’s used every day in all kinds of professional applications because the quality is great.
I feel that the mistake most people do
first is to compare the Canon 1Dx mkII, or Canon 1Dc’s codec, which is an intra frame codec
, to modern consumer camera codecs that are inter frame (long GOP)
Intra frame means that you store each frame of video as a unique image frame and then you compress that. Just like you would compress a raw photo to a jpeg photo. This is what the Canon 1Dx mkII and Canon 1Dc do. They basically save 25 jpeg photos per second in 4096x2160 px resolution.
Consumer cameras achieve great compression by only saving a small number of actual frames out of the 25 images per second. Out of 25 ‘frames’ you might get 3 actual images. All of the other frames get only partially saved and then calculated (estimated) by advanced mathematical calculations. It certainly saves space, but it also famously introduces various image artifacts. Typically Long GOP codecs have problems when the image content change a lot from frame to frame. Examples of this might be flowing water, foliage that is blowing in the wind or simply that the camera moves. Most of the time, a non critical user won’t see these imperfections. And final delivery of even the highest end cameras mostly end up in this format for display (but they don’t get captured that way). But while it’s a great delivery format, I don’t want to capture my images this way.
Lesson: Don’t compare data rates between intra
frame to inter
frame. They are not the same thing!!Poor playback performance.
This I have no problem agreeing with—because it’s more objectively true. MJPEG has very low requirements at time of compression. That’s great because it means cameras can use it even if they don’t have super fast CPU. It also requires less power and saves your battery. But it isn’t optimized for playback in editing software and your playback will likely stutter. Not good.
Well, I (almost) wouldn’t know, because my files get converted to ProRes on import into FCPX
. I then replace the original files and have ProRes 422 masters. They are a little bit larger, but it’s negligible. Playback performance is a total non issue to me and the same should apply to anyone—just convert the files once.Note: The reason the Canon 1Dc and now the 1Dx mkII uses the older MJPEG compression is because they are DSLRs that use Digic chips and not Digic Video (DV) found in Canon’s video cameras. For a Canon DSLR to use a dedicated video codec, Canon would need to integrate a DV chip, or perhaps launch new hybrid Digic chips that have these types of codecs built in. Legacy h.264 compression is already integrated in the DSLR Digic chip, which is the reason all Canon DSLRs use that for their video recording (8bit, 420, h.264 at modest bitrates).